Maharam Arabesque by Alexander Girard Decorative Throw Pillow Cover - Modern Geometric Pattern for Living Room, Bedroom & Office Decor
Maharam Arabesque by Alexander Girard Decorative Throw Pillow Cover - Modern Geometric Pattern for Living Room, Bedroom & Office Decor
Maharam Arabesque by Alexander Girard Decorative Throw Pillow Cover - Modern Geometric Pattern for Living Room, Bedroom & Office Decor
Maharam Arabesque by Alexander Girard Decorative Throw Pillow Cover - Modern Geometric Pattern for Living Room, Bedroom & Office Decor
Maharam Arabesque by Alexander Girard Decorative Throw Pillow Cover - Modern Geometric Pattern for Living Room, Bedroom & Office Decor
Maharam Arabesque by Alexander Girard Decorative Throw Pillow Cover - Modern Geometric Pattern for Living Room, Bedroom & Office Decor
Maharam Arabesque by Alexander Girard Decorative Throw Pillow Cover - Modern Geometric Pattern for Living Room, Bedroom & Office Decor

Maharam Arabesque by Alexander Girard Decorative Throw Pillow Cover - Modern Geometric Pattern for Living Room, Bedroom & Office Decor

$47.85 $87 -45% OFF

Free shipping on all orders over $50

7-15 days international

25 people viewing this product right now!

30-day free returns

Secure checkout

76077427

Guranteed safe checkout
amex
paypal
discover
mastercard
visa
apple pay

Description

Arabesque by Alexander Girard , 1954

Fabric : Maharam textile, Arabesque by Alexander Girard. 

005 Ultramarine and Avocado

44% Cotton, 28% Solution-Dyed Nylon, 28% Wool

READY TO SHIP!

*Pillow insert is not included but can be added, see link below

Care: Dry clean only

We ensure the highest quality in our pillows by having:

  •  Pattern on both sides
  •  Invisible YKK zipper closure on bottom
  •  Serged seams to prevent fraying 

About Alexander Girard

Trained as an architect but proficient in nearly all design disciplines, Alexander Girard (1907-1993, United States) had a profound impact on 20th-century visual culture. As founding director of Herman Miller's textile division from its formation in 1952 until 1973, Girard generated more than 300 patterns from his outpost in Santa Fe, New Mexico. Reflecting his love of international folk art and unhampered by contemporary dictums of style and taste, Girard explored wildly different approaches to color, form, pattern, and construction. The resulting body of work is staggering not only in sheer volume and creativity, but due to its fundamental qualities of beauty and usefulness, remains completely relevant today.